What is John Amos net worth?

Many people are curious to know John Amos’ net worth. John Amos had a brief football career before his acting career took off. His career in the film industry is what helped him accumulate his wealth.

John Amos Net Worth

John Amos’ net worth is estimated to be around $5 million. He has accumulated his wealth through his successful acting career.

John Amos Net Worth Over Time

John Amos’ net worth has been steadily increasing over the years. As of 2023, Amos’ net worth is reported to be $5 million. In 2022, it was $4.7 million, showing a growth of $0.3 million from the previous year. Similarly, in 2021, John Amos’ net worth reached $4.4 million, reflecting an increase of $0.3 million compared to 2020. The trend continued, with Amos’ net worth being $4.1 million in 2020, $3.8 million in 2019, and $3.6 million in 2018. This consistent growth in his net worth indicates a prosperous career for the actor over the years.

John Amos Career

1964 Amos began his career with the Denver Broncos as a free agent. However, he was released after two training days due to a pulled hamstring. He then went on to play for various teams. These include the Canton Bulldogs in the United Football League, the Norfolk Neptunes in the Continental Football League, and the Waterbury Orbits in the Atlantic Football League. 1967 he signed as a free agent with the Kansas City Chiefs. However, he eventually returned to the Continental League to join the Victoria Steelers.

Amos achieved widespread recognition for his acting. He played the breakthrough role of weatherman Gordy Howard on “The Mary Tyler Moore ” from 1970 to 1973. However, his most memorable part was that of James Evans Sr. James is the head of a middle-class African-American family on the CBS sitcom “Maude.” He continued to portray this character from 1974 to 1976 on the spinoff series “Good Times.”

Following “Good Times,” Amos took on a groundbreaking role in 1977 as Kunta Kinte in the pioneering television miniseries “Roots.” His performance garnered critical acclaim, earning him an Emmy Award nomination. He also starred in another miniseries, NBC’s “Alcatraz: The Whole Shocking Story,” in 1980. Amos made numerous guest appearances on various TV shows, including “Here’s Boomer,” “Insight,” “The Love Boat,” “The A-Team,” “Trapper John, M.D.,” and “Hardcastle and McCormick.” From 1984 to 1985, he had a recurring role in the NBC crime drama “Hunter.” Subsequent credits included appearances in “One Life to Live,” “Murder, She Wrote,” “Stringray,” “The Cosby Show,” and “Gideon Oliver.”

In 1994, Amos starred in the short-lived sitcom “704 Hauser,” a modern-day spinoff of the classic show “All in the Family.” Throughout the 90s, he made appearances on popular series like “The Fresh Prince of Bel-Air,” “Touched by an Angel,” and “Martin,” while also having a recurring role on LL Cool J’s sitcom “In the House.” From 1999 to 2004, Amos appeared in 22 episodes of the political drama series “The West Wing,” portraying the Chairman of the Joint Chiefs of Staff. He also took on significant roles in the police procedural “The District,” the sitcom “All About the Andersons,” ABC’s romantic dramedy series “Men in Trees,” and the Netflix series “The Ranch.”

In the realm of cinema, Amos made his film debut in 1971 with an uncredited role in “Vanishing Point” and later appeared as Biker in the blaxploitation film “Sweet Sweetback’s Baadasssss Song.” In 1973, he featured in Disney’s “The World’s Greatest Athlete” alongside Tim Conway. He went on to star in the action comedy “Let’s Do It Again.”. During the 80s, Amos appeared in various films, including “Touched by Love,” “The Beastmaster,” “Dances of the Dwarfs”, “American Flyers,” “Coming to America,” and the prison drama “Lock Up.”

In the 90s, Amos was featured in “Two Evil Eyes” and the action sequel “Die Hard 2.” He continued his appearances in movies like “Ricochet,” “Mac,” “Night Trap,” “For Better or Worse,” and “The Players Club.” In the 2000s, his film credits included “All Over Again,” “My Baby’s Daddy,” “Countdown,” “Shadowboxing,” and “Dr. Dolittle 3.” Later on, he was part of “Madea’s Witness Protection,” “Bad Asses on the Bayou,” “Uncut Gems,” and “Coming 2 America.”

Beyond his on-screen work, Amos made significant contributions to the theatre world. He produced and wrote a one-person play, “Halley’s Comet,” which he performed internationally. Additionally, he was involved in August Wilson’s “Gem of the Ocean,” initially on Broadway and later at the McCarther Theatre in Princeton, New Jersey.